HYMEN CLASH
Laurie Cubbison / Alan Sondheim
We were trying to write a collaborative piece about subjectivity and
sexuality, illness and masochism. But as we began developing our dialogue
through electronic mail, we found ourselves taking up sexualized positions
within the discourse, such that our original issues were lost in issues
of
control over the text.
We attempted a text dealing with masochism from the double viewpoint of
sexuality and chronic pain. Doors unlocked and locked; the resulting
masochistic text satisfied no one. It fastens/fascinates.
Laurie Cubbison / Alan Sondheim
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Laurie:
i write about pain because it's a constant in my life. it's always here.
there's a song by the judds called "mr. pain". the woman sings
about the fact that mr. pain is the only lover who is always there. other
men come and go, but mr. pain is a faithful suitor.
Alan:
Then perhaps it is mr. pain you're responding to?
Laurie:
perhaps it is. perhaps that's the problem with this text.
Alan:
I'd say they're probably singing about emotional pain, which is an inroad
to the suitor - in other words, it's connected to sexuality, masochism.
Desire is a constant in my life; there are others, exhaustion, occasional
depression, these texts...
Laurie:
but for me, desire is derailed by pain and exhaustion. i become not sexually
passive as a result but passive in the face of sexuality.
Alan:
I understand this; I was commenting on the song.
Laurie:
i suppose i feel fragile in a lot of ways. physically. emotionally. yes,
i've survived. i'm over the worst in terms of emotional pain. i'm at a point
in my life where a lot of the problems have been resolved, fixed.
Alan:
We all have...
Laurie:
but the problem with fixing anything is that the fix doesn't remove the
damage done. it only makes the object functional again. so, yes, i'm
functional, but i feel fragile. i wait for the next thing to go wrong and
put me in the hospital.
Alan:
But as I've said to you, this is already a suture, foreclosing, on the
subject; you've made and closed down the case for yourself. Expecting the
worst or interpreting everything in terms of the worst precludes the
possibility of other emotional responses.
Laurie:
not completely. there are the surprise, relief, even joy, when the worst
is not realized. but expecting the worst, not getting one's hopes up too high,
is a defense mechanism. i meet a man. i like him. i start to get my hopes
up. bam. he's married. or not interested. or too far away. how long can
you expect good things and end up with bad things before it affects your
outlook on life? one gets tired of the emotional turmoil, of thinking maybe
this time i will be hired, maybe this time i will get laid, and it ends up
with a feeling of 'of course, it wasn't going to happen, i was a fool to think
it would'.
Alan:
This is a different problem than that of the physical pain, and I'm not
sure what to say. I've said you're short-circuiting yourself above; I can't
get closer to this. All of us ride the backs of failure.
Laurie:
but the physical pain and the emotional pain reinforce each other, are
intertwined.
Alan:
I understand this; I just don't know where to go from here. You've made
your point, but your writing doesn't really call for dialog; it closes itself
off.
Laurie:
i don't want to close off the dialog though perhaps i am. i'm wanting to
convey the effect of illness, wanting you to understand how constrained
i feel.
Alan:
But there are two goals here, one between us, which is the conveyance, and
the other, our ability to discuss sexuality/masochism/disability and their
interactions. And what's happened here is that you feel yourself
constrained to emphasize how bad you feel, and that does foreclose. What
can I say? I am sorry you feel this way. And I've known you for a long time,
so it seems that you "wanting you to understand how constrained I
feel"
are delivering a different message, that you want to _hammer_ your constraint
home, until the text comes to a halt.
Laurie:
but remember, that you are not the only audience here. i am speaking to
you but we are also writing this text for publication. can i not include among
'you' the people who don't know me?
i think about prozac, that one of the side effects is the lowering of the
libido. and for some people that's an unacceptable side effect. but for
me, who loses libido to pain and depression any way, the functioning it brings
ends up being more important than any effect it may or may not have on my
desire.
Alan:
I can understand this; I also think I have more desire, perhaps addictive
desire, than most.
What are you saying in relation to the subject? That depression is
masochistic, as well as physical pain, that you're burdened by your entire
life, physical and mental? Other than being concerned, I don't know what
to say to this...
Laurie:
i think perhaps that is what i am saying.
Alan:
Which is also a way of silencing me, although you don't mean it. My responses
here have a repetitive character, as you know.
Laurie:
but they're serving the purpose i'd hope they would, to draw out of me an
articulation of my feelings in this area.
Alan:
But then the dialog is a monolog with commentary...
Laurie:
i suppose that i am in a state of ongoing abjection. always unstable,
between states. shifting toward frustration, depression and despair. a small
wing back to hope and contentment every once in a while.
i suppose i am too wrapped up in myself, in my own pain and fear, though
i'm not so bad as i used to be. i read that last clause and give a sour
chuckle. the badness attached to myself.
Alan:
Even "sour chuckle" reverts to depressive attitudes; these paragraphs
are signifiers of collapse themselves. I can't see desire emerging here;
whatever my interpretation of masochism might be, deliberate loss of
control, release, splaying/opening, flooding of desire, ecstasis and
momentary annihilation, maternal chora, babbling, shitting, pissing - it's
not found here, in your text, nor is there a space/site for it. "Wrapped
up" in yourself is a mummy-metaphor, death and detumescence already foregone, completed. In other words, I can't find a way through this into my own
stance or "take"; there's no place for jouissance, and instead
I tend towards thinking about resources for overcoming depression.
Laurie:
and that i think is why i'm uncomfortable with masochism.
Alan:
Because I express concern for you? What I find is a thicket of emotional
and physical pain that you present; I can't think clearly through this. It
sounds in fact that your uncomfortableness is with everything. I still don't
see masochism as necessarily intersecting with the states you describe;
if anything, it can be an aid in overcoming them. But in your texts, the
cotton-thickness is dense enough to preclude that.
Laurie:
No, not because you express concern for me but because i can't see a
connection or a release in it for me.
Alan:
But there's no reason it should necessarily work for you at all. And
"being uncomfortable" with masochism can mean either you're not
personally interested, which is fine, or that it's not of interest to you, i.e.
other masochists make you uncomfortable.
Laurie:
i'm not sure that that's how i'm feeling. I won't say it doesn't 'interest'
me but that i don't see a place for me in it. i don't want to be a
masochist. i feel that i live that life already in my own body, but neither
do i want to be a dominatrix.
Alan:
But no one is asking you to take one or another position; discussing
something doesn't mean you're identifying as a participant.
Laurie:
but don't you know me well enough by now that i always discuss by
identifying with the experience? by playing with it? do i want to position
myself in that way or this? what would i do if that were my position? it
is by considering issues through experiential positions that i think
through issues.
but i don't see how it could be an aid in overcoming the pain. please explain.
Alan:
Because it can be a way of controlling one's body, releasing it to another,
returning from that control.
Laurie:
i would have to experiment to know if that would work, but of course there
aren't any lab partners available.
Alan:
No, and I doubt it would work for you, since it would return your body and
your pain to you, and you've talked already about being uncomfortable with
that.
Laurie:
i'm not a masochist, even though i'm passive. i don't want to be controlled.
i feel that i've always already been controlled against my will, by my
mother, by my body. but i don't have the energy to be controlling, nor the
desire. i don't know what kind of lover that makes me.
Alan:
But you are already controlling yourself through intense negations that
don't let up. Your writing introjects control, suffocates other
possibilities. Masochism is simultaneously about control and the conditions
of the boundary - first, the temporarily violated boundary of the body,
and second, the release into and release out of the masochistic
state/session/etc. - these boundaries of recovery enunciating the theatrics
of everyday life and their overcoming.
Laurie:
well, if i'm controlling myself, then at least no one else is.
but what do you mean by the temporarily violated boundary of the body?
Alan:
The masochist session, or time, the body returning to itself. As far as
controlling, aren't you also, in a way, controlling this text? This is
the anger perhaps at the core of depression? I can't see a way in.
Laurie:
i suppose i am controlling the text. perhaps i see text as the thing i can
control.
Alan:
Then this is "your" text, reflecting your concerns...
Laurie:
well, that is what i was hoping for, to have something that would reflect
my concerns.
Alan:
Again, this becomes monologic --
Laurie:
but my concerns are very seldom reflected in the theories of the body and
sexuality. that was why i wanted to write this text to begin with. even
though *you* know my constraints, my concerns ad nauseam, they are not
theorized, not recognized.
Alan:
But again this is a single-author text you're referencing here. The other
question is, beyond the jostling of power here, where is the theory? What
theory are you referencing? What phenomenology?
Laurie:
if i had world enough and time.... i would like to be referencing
merleau-ponty, but i've barely had an opportunity to dip into him having
finally discovered him. i'm writing now, before i've done the reading i
wanted to do because you were eager to get something written on this and
you asked me to start first. i'm feeling very frustrated with this whole
thing.
trying to negotiate the writing of this text with you has been odd. very
odd. i'm closed off, you say. there isn't an opening for your writing in
the text i've written.
as i was showering this morning, i think it was this morning rather than
last night, i thought what a suggestive sexual image is contained in this.
it's so virginal, so hymeneal, this image of a closed discourse that tries
to dialogue. i suppose it's an accurate metaphor.
Pain and depression form my hymen that keeps you from entering my discourse,
that protects my innermost.
the question is: how to deflower this discourse? does it even need to be?
Alan:
No it doesn't need to be. But there are two things, _this_ discourse, and
discourse in general, and _this_ discourse to the extent it remains
sutured, is, if not monologic, at least developing around a singularity.
Laurie:
what frustrates me is that you see my physical pain and emotional
depression, but you don't see the rhetoric as rhetoric. you see it as me
reminding you yet again what bad shape i'm in. you don't see me trying to
say something about sexuality and illness.
Alan:
If I did, what difference would that make? Because I'm not saying anything
at all in a way, just appearing as interstitial? And I can't see it as
rhetoric when you ground it so intensely in autobiographical or first-person
statements...
Laurie:
it's called ethos, establishing the legitimacy, my right to speak.
i was talking to H about this text this afternoon. i didn't have it with
me so i didn't show it to her, but i was telling her about this impasse we're
having writing this. and i realized how our different writing styles are
reflected in our frustration.
i theorize out of experience. you seem to start with theory first. and i
don't think you see that the experience i've tried to describe in this text
is the basis for my theorizing, the foundation on which i build my thinking,
that even though we are in dialogue, you are not my sole audience, that
the lived experience that causes you to pity me is a given for me from which
i form my thinking.
Alan:
I just don't separate theory/experience at all. A lot of the Jennifer work
comes out of my sexuality, and then perhaps or simultaneously out of
theory.
Laurie:
but you seem to be starting from a different point than i am with relation
to this topic. i start from experience and try to understand it.
Alan:
I may not be your sole audience - I hope not - but I _am_ supposed to be
an equal here. I am beginning to find all of this very aggressive - now
you're attacking me, I feel, because I'm missing that your foundation is
pure pain... I'm locked out of that. I repeat myself.
Laurie:
i'm not saying that my foundation is pure pain. i'm saying that experience
is the foundation on which i'm trying to build my theorizing. the fact is
that pain dominates my experiences in many ways.
and i find it ironic that you say i am attacking you, since you keep
telling me i need assertiveness training, but that's really beside the
point. and you are an equal here. being an audience does not reduce you
or
distance you. it's a rhetorical term.
Alan:
The very fact you call me "audience" at all in the paragraph above
is indicative of your perception of me in relation to this writing...
Laurie:
i think you're missing my point. i call you audience because you are the
primary reader at this time for whom i am writing.
i'm coming out of an immersion in rhetorical theory at the moment, so when
i think about this text, i think about the fact that it is also for
publication, and so i raise the question of audience,. but if you don't
like the stuff about audience we can take it out. i'm feeling confused
because it comes across as though you hate it but you still want to submit
it. if i'm attacking you, which i don't think i am, it's because i'm
feeling frustrated that you're not understanding what i'm trying to do
with this text.
Alan:
I don't - nor could I - describe the "foundation of my thinking"
to you in a single text, because I don't believe in such foundations for
myself, nor do I think foundational thinking is unary...
Laurie:
and neither could i. what i'm trying to say is when i use the phrase
'foundation of my thinking' is that when i start to think though an issue
like sexuality, like masochism, like chronic illness, is that i start with
my lived experience, in the way that a builder starts building a house by
laying the foundation. it's how i *start* thinking.
Alan:
I would say this, that this text, qua text, is a symptom of something, and
should be submitted as is; it remains hymen, immobilized, and has a certain
fascination..
Laurie:
so you don't really like it but you're fascinated by it? or do you not
like it? i'm frustrated.
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